| The Lataif in Christian Iconic Art | |||
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The image at the right provides a map of the lataif in mirror image. The angels right and left, almost lung-like in composition, hold an orb within which is a cross, representing Sirr. The right angel is clad in the same red as a priest's vestment on Pentecost, and represents Ruh. Sirr is supported by a triangle formed of cloaks, which indicates the bringing together of a broad sweep of lower forces. The angel at the left represents Qalb. The ray arising from Sirr represents Akhfa, which transcends into Khafi. Khafi is suggested by part of a larger circle, which is outside the domain of image. A remarkable image.
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Within this image of Christ's return in power and glory one may also see Sirr, represented by a pentagon within a circle. Sirr is supported by Ruh and Qalb, and is represented as a victory over chaotic and fractured lower forces. Again, the Divinity may be found within Sirr. The artist may not have experienced Khafi. |
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A similar picture to the one above, but with a greater degree of transcendence suggestive of final unity within Khafi. |
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The infant Jesus as Sirr, with Mary as Akhfa, who mediates between Sirr and Khafi. Attended by Qalb and Ruh. Khafi is represented by the dome of the church. Note that while the heart, Qalb, looks at Sirr, the Spirit, Ruh, looks at Khafi. |
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An icon of an angel, the viewing of which has an exalting effect on the consciousness. Not only are several of the lataif effected by viewing this image, but it also provides a foretaste of the completed spiritual state. A masterpiece. Note the jewel in the hair at the point of Khafi. |
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There is a long history within the Orthodox and Catholic churches of the veneration of icons and religious art. While much superstition is undoubtedly bound up in this practice, the contemplation of images such as these does have an effect upon our inwardness. The contemplation of the icon at the left, of Saint Basil, has a dramatic effect on Khafi.
Can you sense it? |
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